{"id":4093,"date":"2024-03-06T15:03:10","date_gmt":"2024-03-06T14:03:10","guid":{"rendered":"https:\/\/www.dansometre.ch\/?p=4093"},"modified":"2025-07-16T16:07:04","modified_gmt":"2025-07-16T14:07:04","slug":"faune-faune-faune-2","status":"publish","type":"post","link":"https:\/\/www.dansometre.ch\/en\/actualite\/faune-faune-faune-2\/","title":{"rendered":"Faune, faune, faune"},"content":{"rendered":"

Nous revisitons la chor\u00e9graphie de Nijinski “L’apr\u00e8s-midi d’un Faune”, ainsi que la composition de Debussy. Qu’apporte la relecture de cette \u0153uvre au prisme des pr\u00e9occupations \u00e9cologiques d’aujourd’hui? Mi humain mi animal, le Faune est cet \u00eatre qui peut interroger notre regard, en nous incitant \u00e0 “apprendre \u00e0 voir” (Estelle Zhong Mengual, 2021). \u00c0 travers le prisme d’une relecture eco-f\u00e9ministe, en d\u00e9tournant et nous r\u00e9-appropriant les signes, c’est une nouvelle perspective qui prend forme, un nouveau r\u00e9cit, o\u00f9 l’on s’autorise le collage, l’association d’id\u00e9es, les r\u00e9sonances, l’actualisation.<\/p>\n

+ + +<\/p>\n

Artiste-chor\u00e9graphe, Lucie Eidenbenz<\/strong> a \u00e0 son actif plusieurs cr\u00e9ations, parmi lesquelles on peut citer\u00a0: Traum Project (2010), The Boiling Point (2011), Animals are like water in water (2012), Last Plays (2014), Tsch\u00e4gg (2015), Faune, faune, faune (2019), Echooo (2022), ainsi que Les Vagues (2023).<\/p>\n

+ + +<\/p>\n

Le Dansom\u00e8tre souhaite favoriser le lien entre artistes et public pour g\u00e9n\u00e9rer un espace dynamique o\u00f9 la r\u00e9flexion, l\u2019exp\u00e9rimentation et la confrontation artistique peuvent foisonner. Ces sorties de r\u00e9sidence sont l\u2019occasion de tester des \u00e9l\u00e9ments de la cr\u00e9ation sur le public et d\u2019\u00e9changer avec les spectateur\u00b7trices.
\nL\u2019entr\u00e9e est libre, sans inscription, et la performance sera suivie d\u2019un ap\u00e9ritif.<\/span><\/p>\n

+++<\/p>\n

Pour la saison 23-24 et ses projets, le Dansom\u00e8tre est soutenu par :<\/p>\n

\"\"<\/p>\n

+++<\/p>\n

photo mise en forme : ultrastudio.ch<\/p>\n","protected":false},"excerpt":{"rendered":"

Nous revisitons la chor\u00e9graphie de Nijinski “L’apr\u00e8s-midi d’un Faune”, ainsi que la composition de Debussy. Qu’apporte la relecture de cette \u0153uvre au prisme des pr\u00e9occupations \u00e9cologiques d’aujourd’hui? Mi humain mi animal, le Faune est cet \u00eatre qui peut interroger notre regard, en nous incitant \u00e0 “apprendre \u00e0 voir” (Estelle Zhong Mengual, 2021). \u00c0 travers le […]<\/p>\n","protected":false},"author":2,"featured_media":3995,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[1,81],"tags":[],"class_list":["post-4093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualite","category-spectacles-soirees"],"acf":[],"mb":[],"yoast_head":"\nFaune, faune, faune - DANSOM\u00c8TRE - espace de cr\u00e9ation chor\u00e9graphique - VEVEY<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dansometre.ch\/en\/actualite\/faune-faune-faune-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Faune, faune, faune - DANSOM\u00c8TRE - espace de cr\u00e9ation chor\u00e9graphique - VEVEY\" \/>\n<meta property=\"og:description\" content=\"Nous revisitons la chor\u00e9graphie de Nijinski “L’apr\u00e8s-midi d’un Faune”, ainsi que la composition de Debussy. 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